In collaboration with Nathaniel Rackowe. A reconstruction of the work originally performed at White City Place (supported by Elephant Magazine) for The Royal Society of Sculptors building as part of ‘The Great Exhibition Road’ Festival 29th June 2019. Performances 7pm and 8.30pm https://sculptors.org.
Shed, Shroud, Exchange, Stroke, Spread
Thermal Duets (2019)
In collaboration with Caroline Broadhead
Performers Martina Conti and Alice Labant
Angela Woodhouse in collaboration with artist Caroline Broadhead explore notions of detail, image-making and identity through their development of Thermal Duets, a dance on screen project comprising of 5 short videos (each individually titled Shed, Shroud, Exchange, Spread, Stroke.) that manipulate thermal imaging technology. The purpose is to reveal an expanded body, and the potential of thermal imaging technology to develop a metaphoric language that exploits body heat. In this respect, there is a desire to extend the understanding and lexicon of dance work for the screen.
Marsden Woo Gallery, London until 29th June. http://marsdenwoo.com/
(Un)touched in Belgrade
Close Distance
Caroline Broadhead, Nic Sandiland and Angela Woodhouse
8 March – 1 May 2017
Wollaton Park
Nottingham
NG8 2AE
Close Distance has been commissioned by Nottingham City Museums and Galleries.
Created for the magnificent rooftop Prospect Room at Wollaton Hall, with its views across the surrounding park and city beyond, this new commission offers visitors a unique experience of an area of the house rarely visited by the public.
Artists Caroline Broadhead, Nic Sandiland and Angela Woodhouse have taken inspiration from the building’s history and inhabitants. Sandiland and Woodhouse have worked with image, sound, and movement to create a series of intimate film works that are integrated with Broadhead’s reinvented found objects. All these elements find synergy in this atmospheric installation.
“…Images will shift from the open landscape to the enclosed and restricted spaces in which the servants were confined, indicating the labours and life that differentiated the people, their roles and their position in the 17th century household.”
To visit Close Distance, please book on to one of the special ‘Talk and View’ events, taking place every Wednesday and Saturday between 8 March and 1 May 2017, please see details below.
In the eyes of the beholder
Concept and direction Angela Woodhouse
Performer Alice Labant
The viewer is caught in the gaze of the performer through a mirror. This is an intimate exchange where the complication of the physical and reflected image is made apparent. Through the doubling and the singular questions are placed about how this relationship is forming. Visitors are invited to respond via a Visitors’ book. This is a one on one event lasting 5 mins approx. for each individual.
Wollaton Hall Installation
Angela Woodhouse in collaboration with artist Caroline Broadhead and filmmaker Nic Sandiland have been commissioned by Nottingham Galleries and Museums to create an installation for the impressive seat of the Willoughby family Wollaton Hall, built in 1588. Opening in March 2017.’
IFTR Conference, Stockholm 2016
Paper on Sighted
Presenting the Theatrical Past – Interplays of artefacts, discourses and practices 13 – 17 June 2016
Sighted (2009) Angela Woodhouse & Caroline Broadhead: a performance/dance installation: A case study of the role of the audience in re-enacting the work addressing the theme ‘Oral history, Performing history, Re-enactments’
(Un)touched – Premiere at Canary Wharf
A dance performance installation
Premiere Tuesday 9 February
Choreographer Angela Woodhouse
Visual Artist Nathaniel Rackowe
Dancers Stine Nilsen + Martina Conti [Read more…] about (Un)touched – Premiere at Canary Wharf
(Un)touched at Oxo Tower Gallery
Angela Woodhouse and Nathaniel Rackowe present their research phase 2 at Oxo Tower gallery as part of TCCE ‘Inside Out’ Festival October 2015. The work will premiere at Canary Wharf One Canada Square as part of Winter Lights Festival 2016.
Sighted at Saatchi Gallery
Angela Woodhouse and Caroline Broadhead, present Sighted as part of Collect 2015, the Crafts Council’s international art fair for contemporary objects.
“Breathtaking” – Time Out
Sighted is performed by exceptional and long standing collaborator Stine Nilsen.
Originally funded by Arts Council England, produced by The Place Theatre and commissioned by the Royal Opera House Deloitte Ignite in 2009. Sighted for Collect is supported by Middlesex University and Central Saint Martins.
Come and enjoy the work on show at Collect and take this opportunity to see Sighted.
Sighted will be showing at the following times:-
Friday 8th May – 12 noon, 2pm, and 2.30pm
Saturday 9th May – 12.30pm, 2pm, 2.30pm, and 4pm
Sunday 10th May – 12.30pm, 2pm, 2,30pm and 4pm
Monday 11th May – 12 noon and 1pm
Saatchi Gallery
Duke of York’s HQ
King’s Rd
London SW3 4RY
Tickets for Collect
Book early and save
collect2015.org.uk
+44(0) 844 7766 777
Advance ticket £12
Collect for two £30 (two tickets plus catalogue)
Advance tickets available until 7th May, booking fees do not apply.
On the door £17/ concs £12
Student Offer £8 on Monday 11th May
Photo: Hugo Glendinning
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